Recent works
Infinite verse (2022, in progress): reciting voice accompanied by SuperCollider or quartet of sustaining instruments, variable up to 30’, text generator
Nocturne (2022): flute, bass flute, alto saxophone, bass trombone, accordion, electric guitar, harp, violin, cello, 18’, score, audio
Fancy (2021): string quartet, 12’
Solos
Infinite verse (2022, in progress): reciting voice accompanied by SuperCollider or quartet of sustaining instruments, variable up to 30’, text generator
CHANTER (2020): cello, 15’, score
BERCER (2019): cello, 11’, score, audio
JUST (Chords, melodies) (2019): piano (Sabat II well-temperament), 13’, score, audio
Duos
STILL (2018): violin, viola, 6’, score, audio
ATLAS, 2012, just intonation version (2019): viola, acoustic guitar, 14’, audio
AT LEAST (2016): violin, piano (equal temperament), 10’, score
ATLAS, 2012 (2015): alto saxophone, electric guitar, 14’, score, audio
Trios
Triple resplendence (2021): alto flute, viola, alto trombone, 7’, score, audio
Fields flowering (2020): violin, viola, cello, 8’
WITHIN (98 Chords Catherine Lamb) (2020): horn, viola, suspended cymbal, 10’, score, audio
BRANCH (Plainsound Trio) (2018): any 3 sustaining instruments and/or voices, 8’, score, audio
GRAM (2018): alto recorder, viola, keyboard (Pythagorean split-key tuning), 15’, score, audio
number three (2014): mandolin, viola, piano (any tuning), 9’, score, audio
Quartets
Fancy (2021): string quartet, 12’
WENN (2020): mezzo-soprano (or alto flute), violin, clarinet (A), bass clarinet, 8’, score
ANSTATT (2019): clarinet (B-flat), accordion, violin, cello, 10’, score
DRIFT (2018): any 4 sustaining instruments and/or voices, 3’, score, audio
Ensemble works
Infinite verse (2022, in progress): reciting voice accompanied by SuperCollider or quartet of sustaining instruments, variable up to 30’, text generator
Nocturne (2022): flute, bass flute, alto saxophone, bass trombone, accordion, electric guitar, harp, violin, cello, 18’, score, audio
Harmonium glistening (2021): At least 6 sustaining instruments and/or voices, 18’, score, audio
Tenebrae factae sunt (1611/2020 intonation of Gesualdo): SSATTB voices, 10’, score, audio
Sicut cervus desiderat (1604/2020 intonation of Palestrina): SATB voices, 3’, score, audio
MOTTE (2016–2017): flute (+piccolo), alto saxophone (+contabass clarinet), bassoon (+contrabassoon), horn, bells, piano (13-limit just intonation), violin, viola, 40’, score, audio
ALONG, AROUND (2014/2016): 8 violins, 2 violas, 2 cellos, contrabass, percussion, 10’, score
For Margaret Lingas (2015): 10 voices, harmonium, 6’, score, audio
Apparitions (2014): flute, clarinet (B-flat), violin, cello, piano (equal temperament), 10’
Orchestral works
PER (2018–2020): 3.3.3.3/4.3.3.1/bd.tmp.hp/str, 12’, score, audio
THAT, WHICH (2016): 2.2.2.2/4.2.2.1/bel/str, 5’, score
ABOUT (2016): 3.2.3.3/4.3.3.1/3.hp.org/str, 17’, score, audio
Tombeau de souvenirs (2014): 2.2.2.2/2.2.0.0/tmp/str, 6’
Trois pièces d’après Kandinsky (2012): 2.2.2.2/4.3.3.1/tmp.pf/str, 10’
Electronic works
PORT (Rondo for Marcus Pal) (2020): SuperCollider, 27’, audio
CONE (2019): Fixed media, 12’
Installations & films
Schwer Abschied nehmen wenn ich Taschentuch sehe (2018) with Luisa Rüster and colleagues: violin, keyboard, SuperCollider, 3 dancers, light and object installation, 45’, video
servicemaster (2016–2017) with Kim Farris-Manning: film-music-object installation, 55’, film